Posts in Category: Non classé

Week 185 – March 26 April 2

Valeria Troubina

Sempre, 150 x 200 cm, oil on canvas, UV colour, 2012

Anne Brunswic

S.O.S, March 2014.

Kasia Ozga

Sky, Digital Photograph, 2024.

Manuela Morgaine

Je regarde vers la mer – Essaouira, Marocco, March 2024.

Neringa Naujokaite

Dusseldorf 21/01/2024

Sudha Padmaja Francis

Am I still allowed to doodle?

Week 184 – March 19 to March 26

Manuela Morgaine

Black sail white sail or the misunderstanding of wars, Video 1’32, The Port of Essaouira, Morocco, March 2024.

During a war, Tristan, mortally wounded, calls the blonde Yseult to his aid because she alone is capable of healing him. He sets up a code with his men and asks that a white sail be hoisted to the top of the mast of the boat that will bring her back if she agrees to treat him and a black sail if she is not on the boat. The sailors take on board Yseult the blonde, eager to join her beloved, and raise the white sail, but when the boat approaches the coast, Iseult with white hands, his wife, consumed by jealousy, tells Tristan that the sail is black. Believing himself abandoned by the one he loves, he lets himself die. When she arrives at his bedside, Yseult the Blonde, learning of Tristan’s death, dies of grief in his arms. The lovers are dead.

Katja Stuke

Sans titre, Shibuya Station, Tokyo 2024

Aurelia Mihai

1874 – 2024,  photography, 2024

Natacha Nisic

Réveille-toi, video 1′ 6″, March 2024

Week 183 March 12 to March 19

Katja Stuke

Katja Stuke, sans titre Osaka Kohama 2024

Emma Woffenden

Untitled (play-fight series). Drawing, graphite pencil on paper.

Kyung-hwa Choi-ahoi

Diary Drawing _ No. 8920_ February 3th, 2024 Size: 21 x 29,7cm, oil on paper

Valeria Troubina

Winter Hitchhiking, oil on canvas with ultraviolet pigments, 48 x 36cm, 2021

Week 182 – March 5 to March 12

Manuela Morgaine

Sanctuaire – Place du Trocadéro, Paris, 1er Mars 2024. Diaporama & Musique 3’12- Le chant des Partisans chanté par Yaël Naïm.

Emma Woffenden

Play-Fight series. Drawing, ink, pen, water colour.

Valeria Troubina

Forest Ferries, 200cm x 150cm oil on canvas, 2003

Kasia Ozga

Myco Camo Ammo, Digital Photograph, 2024.

Found texture, Knight Brown Nature Preserve, Rockingham County, NC.

Week 181 – February 27 to March 5

Valeria Troubina

Дворец снов, Wishing Tree, mixed media, 24 x 18cm, 2024

Manuela Morgaine

Tinder’s data bank – still from Gala Hernández López ‘s movie “La mécanique des fluides”, 2022
Thinking of Safety boxes in banks, this image reappeared in my mind. All those virtual lovers, all those swipings, matchings and datings contained in this gigantic data base. Isn’t this the very representation of the end of love? Mechanization and the boxing of thousands of dehumanized solitudes?

Ruth Maclennan

Global Seed Vault, Svalbard, October 2023
An ecosystem is a peculiar kind of self-organizing archive – a collection of interconnected things rubbing along together, reliant on each other, connected with other organisms and systems, adapting to changing environmental conditions, or dying. Click here to read more

Week 174 – January 9 to January 16

Anne Brunswic

Vœux
Hier, je m’apprêtais à poster un billet sur un sujet désolant de banalité : les vœux de nouvel an. Ces incantations m’ont toujours paru vides de sens. Elles me paraissent aujourd’hui indécentes quand je songe à celles et ceux à qui 2024 n’apportera aucun soulagement à l’enfer de 2023. A quoi riment des vœux quand l’urgence est aux actes ? Et puis, tard dans la nuit, alors qu’une fois de plus je lisais les nouvelles consternantes d’une guerre qui ne dit pas son nom, je suis tombée sur le visage d’un adolescent dans le magazine israélien en ligne +972. […] Tal Mitnick, 18 ans, les bras croisés sur son tee-shirt Nike regarde bien droit dans l’objectif en s’efforçant de ne pas sourire. Il est le premier objecteur de conscience depuis le 7 octobre à être jeté en prison. C’est ce qui lui vaut trois pages dans +972 illustrées d’un beau portrait photographique. Le fond noir fait ressortir sa tignasse châtain, ses yeux clairs, sa stature de beau gaillard en pleine santé. Après sa comparution le 26 décembre devant la Commission de conscience de l’armée, jury composé de plusieurs militaires et d’un universitaire, il a été condamné à 30 jours de détention dans une prison militaire. Click here to read more

Katja Stuke

Katja Stuke, sans titre 2024

Natacha Nisic

2024, Wishes

Liza Dimbleby

Postcard from Belfast: I know where I’m going (or the road to Glasgow), January 2024

Ruth Maclennan

Larsbreen or Inside the Melting Glacier, Svalbard, October 2023

Valeria Troubina

Dreamworld of Attachments, mixed media, 42 x 29.5 cm, 2023

Week 172 December 20 to December 27

Kasia Ozga

Santa, Greensboro, NC, USA, 2023.

Valeria Troubina

Winter flowers of my dreams, watercolour, 42cm x 29.5 cm, 2023

Katja Stuke

Cars, Ivry 2023

Week 171 December 12 to December 19

Manuela Morgaine

Breathing the sky, December 9, 2023.

Week 170 -December 5 to December 12

Cornelia Eichhorn

« Humaps N°18 », 25 x 35 cm, papercut done with leftovers from others series, 2023 adgp/all rights reserved

Ruth Maclennan

Barentsburg, Equinocturnal Dusk, Svalbard, September 2023

 

Kyung-hwa Choi-ahoi

Video diary Snow Days, 02 December 2023

Katja Stuke

Cars, Drancy, 2023

Week 169 November 28 to December 5

Kasia Ozga

Labor, Cast Iron, 2023

Work in progress, Cast Iron, Fall 2023. This Spring I will be making a series of sculptures combining cast metals and sewn workwear surfaces. The slogans and texts in this piece are all drawn from official labor rights signage, labor law posters, court cases and studies on labor law violations, labor protest picket signs, and handwritten historical letters responding to labor protests in the United States.

Liza Dimbleby

Give Generously, November 2023

Katja Stuke

Cars (Paris 2020), 2023

Ruth Maclennan

Kennels, Longyearbyen, October 2023

Kyung-hwa Choi-ahoi

Video diary _ Rote Flora, 21 November 2023

Manuela Morgaine

It was in Sesimbra, Portugal, October 7, 2023. I was there in Portugal presenting a movie about Syria before war, and it seemed a little paradise away from it all. I read about the tragedy happening in this moment in Israël a few minutes later, after shooting the pictures of this wonderland. These images will always have a very special taste for me. I look at them as a unreal slideshow, a suspended moment, before the announcement of a disaster for our humanity. A few minutes later, I saw this man running alone, as if he was running away, or running for help, was he a survivor? I thought we were all survivors.