Week 134 – February 7 to February 14
Diary Drawing _ No.8474 April 4th, 2022
Size: 21 x 29,7cm, pencil on paper
I find dioramas mesmerizing. The Immel Circus contains 2,620 hand crafted pieces: thirty-six elephants, 186 horses, 102 assorted animals, ninety-one wagons, seven tents, and 2,207 people. A miniature embodied postcard from another era, it restages and celebrates the past with an impressive fidelity to detail. The effect is uncanny: I imagine myself as a child among the crowds of plastic figurines, grasping for cotton candy and bursting with laughter as clowns take over the horse-drawn squad car.
This still is from the film, The Intergenerational Struggle
for Collective Territories, (11 minutes, 2022) directed by Karen Pamela Huere Cristobal & Anyely Martínez.
“We dream of being the generation that raises our voices and are heard; we dream that our generation speaks up for our territories and that more young women join forces to understand our mission as indigenous women. Just like the Congona tree that stands firm and provides food for the cibuaco bird with its ripe fruit, so our mission will grow tall and will nourish others who would normally follow our parents and authorities. We want to be heard so that communities and organisations are informed about our rights and issues, so that they might give us space and help us to strengthen our resolve; heard so that the state recognises and acknowledges our agenda and our proposals as young people, as women who are part of a community and a people.” – Karen Pamela Huere Cristobal
I met Karen last week at a screening of her film, alongside four other films made by a group of young Indigenous women activists in the Peruvian Amazon region of Junín.
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