The Crown Letter is an online participatory art project created during the lockdown. It is a worldwilde open platform for the free expression of women artists, a cartography of the intimate over time and space, offering a meeting place for a community of subjectivities. The Crown Letter is released every Tuesday since 21st April 2020.
Kyoko Kasuya Natalia Smolianskaia Depuis un an et demi je lis le carnet intime de ma mère. Elle s’en est allée il y a maintenant presque quatre ans et a écrit dans son testament qu’elle me laissait ses carnets qu’elle avait écrits entre juin 1939 et 1947, je ne les avais jamais vus avant. Il […]
Read More →Michelle Deignan Aurelia Mihai Liza Dimbleby Anne Brunswic Les masses Durant les meetings, nous n’avions qu’à nous tenir debout sagement, nous n’étions même pas tenus d’applaudir. Le tintamarre de la propagande me berçait. J’imaginais les jouets en bois que je fabriquerais pour les enfants, je dessinais un collier de baisers au cou de ma colombe. […]
Read More →SE Barnet Ivana Vollaro Ruth Maclennan Manuela Morgaine I grow my salads while waiting you grow your salads while waiting he/she grows his/her salads while waiting we grow our salads while waiting you grow your salads while waiting they grow their salads while waiting i conjugate the present with the future Dettie Flynn Liza Dimbleby […]
Read More →Natacha Nisic Liza Dimbleby The puzzle of my days is more important than the puzzle of my dreams, for you should understand that there’s no dream puzzle, but rather the puzzle itself, the puzzle of days, the undetectable chaos of reality that tries to articulate itself in a dream, which sometimes in a composition brilliantly […]
Read More →Katja Stuke Ivana Vollaro Catalina Swinburn Manuela Morgaine Dettie Flynn Catherine Radosa Emma Woffenden In 1999 I exhibited two glass sculptures on tables inside a circular white plastic screen. One was a solid glass casting, a simplified human trunk, an arched spine and pelvis cut off where the legs and head normally continue. On the […]
Read More →Anne Brunswic Maithili Bavkar Natacha Nisic Saviya Lopes The Matriarchs “The Tereza I know” (Photographic Series), 2020The MatriarchsThey followed Matrifocality.They were fierce.They were outrageous, audacious and courageous.They were committed;Committed to the survival and wholeness of entire people/community. They loved music. They loved to dance. They loved their spirits. They loved food. They loved their struggle. They loved themselves and other women. They loved Love.They […]
Read More →Ruth Maclennan Katja Stuke Luise Schröder Liza Dimbleby Pandemic Dreams, Third Box: Take pleasure in your dreams… Giotto ** I dreamed you had a big, big house, a stately dark house with the windows half boarded up and shining polished floors. The house was so big. You had a student living in one room and […]
Read More →Ivana Vollaro Ruth Maclennan Liza Dimbleby Pandemic Dreams, Second Box:I’m looking for my son. I open the door of this large shed, he’s sitting under an old fashioned hairdryer with his hair soapy and wet. An old woman is there, she’s a hairdresser. I get so angry and shout — Hairdressers are illegal ! *** […]
Read More →Emma Woffenden Ivana Vollaro SE Barnet Ana Mendes Katja Stuke Natacha Nisic Manuela Morgaine QUARANTA LACRIME – FORTY TEARSCecilia Mangini just passed away on January 21, 2021. She was a pioneer in Italian documentary cinema, politically engaged alongside Pier Paolo Pasolini. It is he who writes the words of STENDALÌ around the lamentations and funeral songs of […]
Read More →Ana Mendes Emma Woffenden Detty Flynn Liza Dimbley Letter from Glasgow: Ten Rooms There are rooms that I return to readily, where I sink in to the conversations, the to and fro that keeps us warm. I take my place at the table or on the lit-couchette. The other rooms that inhabit me are ones where […]
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