Catherine Radosa * THE CROWN LETTER

October 12 to October 19

*Faire du foin*
Photographie faite le 10 octobre lors des « Marches des terres », devant l’Hôtel de Ville à Paris.

September 28 to October 5

*Dialog*
Catherine Radosa
Photography of the letter sent to Adriana Bustos for the exhibition of The Crown letter at the Bienal Sur.

September 7 to September 14

*Moving architecture*
Photography made during the art residency in Pragovka Gallery in Prague.

June 15 to June 22

*Campagne de Paris, paysage triangulaire*
Photography made during the long-term film project (2018-2021) on the Triangle of Gonesse (France) – agricultural land in the process of artificialization.

June 15 to June 22

*Paysage triangulaire*
Presentation at *La Maison de l’Ours* consisting of a performance, two videos, a large-format painting on fabrics (10m x 1.5m; June 13, 2021, duration 1 hour).
At the invitation of curator Simona Dvořáková and Kristina Solomoukha and Paolo Codeluppi on the occasion exhibition Langue pmaternelle.
Photography: artist Ruda Samohejl

*Campagne de Paris, paysage triangulaire*

Photography of the action made the 6th of June 2021 as a part of the long-term film project (2018-2021) on the Triangle of Gonesse (France) – agricultural land in the process of artificialization.
Action made with Nathan André, Christophe Domino, Simona Dvořáková, Tania Gheerbrant and with the proximity of the members of the CPTG (Collectif for the Triangle of Gonesse) and other activists during the Zadimanche.

May 11 to May 18

*Campagne de Paris, paysage triangulaire* *(6)*
Photography made during the long-term film project (2018-2021) on the Triangle of Gonesse (France) – agricultural land threatened with artificialization.

May 4 to May 11

*Campagne de Paris, paysage triangulaire* *(5)*
Photography made during the long-term film project (2018-2021) on the Triangle of Gonesse (France) – agricultural land threatened with artificialization.

April 27 to May 4

*Campagne de Paris, paysage triangulaire* *(4)*
Videogram from the long-term film project (2018-2021) on the Triangle of Gonesse (France) – agricultural land threatened with artificialization.

April 20 to April 27

*Campagne de Paris, paysage triangulaire* *(3)*
Videogram from the long-term film project (2018-2021) on the Triangle of Gonesse (France) – agricultural land threatened with artificialization.

March 23 to March 30

*Campagne de Paris*, *paysage triangulaire* *(2)*
Photography made during long-term film project in Gonesse, France (2018-2021).
Photo : Vladimir Turner

*Campagne de Paris*, *paysage triangulaire* *(1)*
Photography made during long-term film project in Gonesse, France (2018-2021).

February 23 to March 2

*Paysage triangulaire*
Photography made during long-term film project in Gonesse, France (2018-2021).

*Paradis* *terrestre*
Photography made during long-term film project in Gonesse, France (2018-2021).

January 12 to January 19

Alivio
(video HD, vertical, 55”)

December 1 to December 8

*Masqué, flouté, grillé*
Montage photographique

November 24 to December 1

*Image sans intention*
photography, watercolor, composition

November 10 to November 17

Soulagement

November 3 to November 10

October 20 to October 27

October 6 to October 13

September 29 to October 6

September 22 to September 29

September 8 to September 15

August 18 to August 31

July 7 to July 14

June 23 to June 30

POLYPHONIC MANIFESTO

May 26 to June 2

Reforestation

May 12 to May 19

https://vimeo.com/416846605

Catherine Radosa, Printemps, 2020

The same point of view, at the same moment of the day, during the lockdown.
Sounds and details become very important, nature takes place progressively in the frame,
the light changes, spring wakes up, while collective daily domestic ritual inhabit the void of the street.

May 5 to May 12

We are the 30th of April 2020.

One year ago exactly I projected in Czech Republic my Monument for a witch (a ten minutes video displayed in the public space) on the occasion of the Walpurgis night – the traditional popular celebration taking place in several European countries which consists in making bonfires to ward off the witches, burning a puppet of a witch in it.

As one of the marks of the male domination remaining in our society, I wont spread here all the significations of this act. But precisely, in this period of lockdown, emerge more than ever the heritage of the feminicide crimes that took place in the history and that persists. Domestic violence has increased all over the world against women, those who at the same time are first on the line fighting against corona virus, giving care to others, in hospitals, sanitary and social structures, at home.

So even if my mobile monument is locked down, I decide to make it appear throw my window, this night, thinking of women for whom being locked up at home is living the hell.

https://catherineradosa.net/mps.html

April 28 to May 5

April 21 to April 28

Catherine Radosa works at the intersection of images and situations that she meets, or produces. By lecture of places, observing, listening, documenting, she questions the present of the memory, personal and collective representations: the individual-society relationship, geographical and social boundaries, History, identity. Between investigation and reverie, by mounting voices, images, contexts and times, she forms collective figures of witnesses from the experienced spirit of the place (Prague, Paris, Lima) and the moment. According to each project, she involve several vocabularies (photography, video, animation 3D, sound, document, text). Also she builds, often in urban areas, participatory situations and performances, including projection on the architecture, but also films (short and medium-length films) for projection room, broadcasting on screen, for installation, images for printing and publishing.

She was born in Prague in 1984, she lives in Paris, works in Europe.

https://catherineradosa.net/mps.html