Before I joined The Crown Letter, my work primarily focused on events or incidents related to my Japanese background and history. Since the onset of the COVID-19 pandemic, I have had the opportunity to engage with women artists from Europe, South America, India, and Japan through the Crown Salon, held every Tuesday. We publish our works on the web every week. This project has significantly changed my mindset. We exchanged a wide range of views on daily life during the pandemic, current affairs, art creation, and the art scene from a woman’s perspective, and reflected these views in our thoughts. It was a new experience for me to work exclusively with women, and it was very refreshing.
While addressing feminist topics such as breast cancer, the anti-abortion movement, International Women’s Day, and women’s rights within the collective, I have searched for topics related to women that I could explore further for my own projects. In the spring of 2022, I met Sally, a Saudi Arabian painter originally from Jeddah. As our friendship and discussions deepened, I realized that the attitudes toward life of women in Japan and Saudi Arabia had many similarities. In both Europe and Asia, Saudi Arabia is primarily known for its Islamic religion, oil resources, and deserts; other aspects remain mysterious and are not well-known. Images of Saudi women are often shrouded in veils. I became interested in exploring this hidden part and creating a video work that tells the stories of women with diverse backgrounds.
In November 2023, with a grant from the Allotment Travel Award, I finally traveled to Jeddah, the second-largest city in the Kingdom of Saudi Arabia. During my three-week stay, I filmed every day. I would like to share with you an excerpt from the secret image bank that I accumulated during that time.
It is no exaggeration to say that this project is also made by my participation in The Crown Letter. I would like to thank Natacha and all of the members of this project.