Anne Dubos
Anne Dubos Nature is Ancient
ERASE THE BORDERS – a collective art work for Bienal Sur 2021 (Argentina)
Alors que le vent d’automne s’apprête à balayer toutes les feuilles,
La ligne d’horizon, elle, se dévoile.
Liza Dimbleby
Shelter, London, 21st September 2021
Letter from London: In the Circus
It is the start of term. I am drawing with the new students in real life. We meet in the middle of Arnold Circus, at the bandstand, an octagonal structure set high on a mound and circled by seven plane trees. The ground about the bandstand is slightly raised and curved, like a cake, and the wide floor is covered with dry brown leaves that have been left to pile and rustle. You must go up two flights of stairs to get to the top, and when you get there, it is autumn.
Dettie Flynn
Dettie Flynn Letter to Glasgow: Salvaging from Dettie Flynn for and about LIZA DIMBLEBY, 8mins12sec
Ivana Vollaro
Ivana Vollaro Frontera portuñola– ERASE THE BORDERS a collective art work for Bienal Sur 2021.
Aurelia Mihai
Aurelia Mihai … şi cel moldovean / … And the Moldavian one
ERASE THE BORDERS a collective art work for Bienal Sur 2021 (Argentina)
Ruth Maclennan
Ruth MaclennanTree Cover
ERASE THE BORDERS a collective art work for Bienal Sur 2021 (Argentina)
The boundaries here represent forest cleared to grow crops of soya, palm oil… The fields have borders, the forest – a rich green canopy – does not. Many areas of Amazon rainforest are legally – but not always actually – protected indigenous lands. Fires are being set, or allowed to spread, to clear forest to plant fields of soy. The political borders of indigenous lands are being erased by fire and capital. The boundaries were brought in to parcel up the forest and impose a way of seeing land and place that is not shared by those who live there. Borders are made to keep people in, and out, but don’t keep out much else without a lot of work. Borders are strange and unnatural and depend on a deliberate blindness – turning a blind eye to what they do – to be recognized. Trees, birds, fish, insects, fungi travel thousands of miles and get called ‘native’ or ‘invasive’ species – though they don’t know it.
Michelle Deignan
Michelle Deignan Paint the world in gold, Single channel HD video, 59″, 2021
Katja Stuke
Katja Stuke Luxus für alle (Luxury for everybody) Düsseldorf 2021
Catherine Radosa
Catherine Radosa Dialog, Photography of the letter sent to Adriana Bustos for the exhibition of The Crown letter at the Bienal Sur.
Manuela Morgaine
Manuela Morgaine WE ARE WORLDS
ERASE THE BORDERS – a collective art work for Bienal Sur 2021 (Argentina)
I draw your bodies SE Barnet, USA-Maithili Bavkar, IND-Alisa Berger, DEU-Kate Blacker, GBR- Andrea Blum, USA-Adriana Bustos, ARG-Anne Brunswic, FRA-Claire Chevrier, FRA-Pascale Criton, FRA-Juta Doberstein, DEU-Michelle Deignan, IRL-Silvana Deluigi, ARG-Liza Dimbleby, GBR-Anne Dubos, FRA-Dettie Flynn, IRL-Shani Ha, FRA-Julieta Hanono, ARG-Claire-Jeanne Jézéquel, FRA-Kyoko Kasuya, JPN-Ayilin Leclairc, DEU-Joanna Lombard, SWE-Saviya Lopez, IND-Ruth Maclennan, GBR-Ana Mendes, PRT-Maricarmen Merino, CRI-Aurelia Mihai, ROU-Doriane Molay, FRA-Manuela Morgaine, FRA-Tania Mouraud, FRA-Natacha Nisic, FRA-Kumjana Novakova, BIH-Sudha Padmaja Francis, IND-Emmanuelle Pellegrini, FRA-Piyarat Piyapongwiwat, THA-Catherine Radosa, CZE-Sandra Richard, FRA-Luise Schröder, DEU-Esther Shalev-Gerz, LTU-Mika Shigemori, JPN-Natalia Smolianskaia, RUS-Katja Stuke, DEU-Catalina Swinburn, CHL-Chiyoko Szlavnics, CAN-Mutsumi Tsuda, JPN-Ivana Vollaro, ARG-Emma Woffenden, GBR and mix them with a Badaga song – recorded in 1977 in the Nilgiri district in Tamil Nadu, India. Badaga is part of endangered languages.
Ana Mendes
Ana Mendes Drawing Series VI, 2021, performance/installation, 50 cm x 30 cm, exhibtion view CIK, Sweden ©Ana Mendes